I was doing some breathing exercises. I got into doing these for flute and shakuhachi in a fruitless quest to be able to pump a lot more air since those instruments require so much air. But I found they make me feel better and I have much more stamina on the bike, so I've kept them up. As well as at other times, I like to do them as a way to relax and go to sleep.
But I thought, last night, I ought to do the exhale part with a flat chin, because I play the clarinet now and when you play the clarinet you keep a flat chin; it's what you do and it was taught to me by Pete Sowlakis at my very first lesson many years ago.
So I did 'em that way and the feeling in my face ... I wondered if it would help with the trumpet embouchure. So I buzzed my lips first the same old way I always had, and then keeping a flat chin. I could go much higher the 2nd way. I told myself I'd do a search on this when I woke up.
When I woke up at around 1 in the afternoon because I'd been doomscrolling all night, I did a few things and then remembered to do that search. I searched, and Lo and behold, now knowing exactly what to look for, I found tons of people saying it's the way to go. That one guy, a student at the Peabody Institute, had a Horn player tell him, "You need to get 'The Art Of Brass Playing' by Philip Farkas" and the guy did, and it was all about keeping a flat chin, as Farkas and many others did and do. The guy said he practically slept with that book under his pillow...
The consensus seemed to be that while it may not work for everyone, it works for an awful lot of people. And yes, just lip buzzing with no mouthpiece or anything, I can sure buzz 'way high and I've been out of the game for more than a year.
I simply had to get my hands on a trumpet to try this out. The best way to do this would be to go to West Valley Music and test-play one of their trumpets. No, just buzzing on a mouthpiece would tell me nothing. A trumpet is a resonant structure and just buzzing on the mouthpiece alone is not at all the same.
So now I felt motivated. I packed the things that had to go out, got cleaned up, and left here just a bit before 4. I stopped to check out a few boxes by this food importer place and my reward was 63 Cadbury Dairy Milk bars. I put those in one pannier and went on my way. I dropped off trash and swung by Nijiya for some boiled eggs and sashimi and a can of coffee. Since I had time, I'd eat them there.
There's one table in front, with four people sitting at it, but room for a fifth so I sat down. Two left, leaving a pair who were talking about, apparently, when the possibly older of the two, a Hispanic lady, was describing her recent experience having a stroke. High heart rate etc. When she mentioned Good Samaritan Hospital I chimed in, "I was there! I was treated really well" and we were off, talking about medications and whether getting an Apple Watch might be a good idea etc. Old-people stuff I guess.
The day was so nice and the convo going so well, my entertaining them with my tale of going ass over teakettle in the BevMo parking lot because I came in fast and didn't see the curb in the middle of it, and such adventures, and talking about the neat foods we had - "These eggs are from Hokkaido" etc., that I bubbled about my possible new discovery about trumpet playing, my going to clarinet, but now my plan to get over to the music store to try out my new technique on a trumpet etc.
The Hispanic lady had to go and that left me and the other, Black, lady to talk. It seemed she was musical, everyone in her family is musical with tons of clarinet players and at least one teacher, and Oh yes, her cousin (?) Ambrose Akinmusire, the trumpet player. Had I heard of him? Everyone's heard of him, I retorted, and she said he lives in the area.
I got her card, and she says she answers emails so that's great. Knowing musical people is always good. The thing is, busking is almost extinct as an activity here, and I almost never see Leroy, just about the last street musician in the whole city, any more. All the others are long gone. Recorder Ron is still alive, but doesn't do any music any more. He does little pieces of art and straight-out begging with a sign.
I went to the post office next to drop off the packages I had, then went over to Whole Foods to lock up the bike and went right over to the bus stop. A guy there taught me a cool trick: You call 511 and say "Arrival time" and key in the number on the bus stop sign. A voice will tell you when the next bus is coming. That's pretty cool.
I got to West Valley Music at about a quarter after 6, and they close at 7. It's basically 2 hours from my door to theirs. I asked about trumpets, and the gal had me to into this separately locked side room they have where they keep the expensive stuff.
I asked to try the Eric Miyashiro model trumpet because it's a new Yamaha and although this gal didn't know it, I'd tried it before, some years ago. I also wasn't impressed with it but that didn't matter. I tried playing various things with a flat chin and without, and it makes a huge difference. So it was confirmed.
I've just got to say I can't believe this, that I've read a ton of trumpet books, been on Trumpet Herald for years, had two different trumpet teachers, and never seen keeping a flat chin mentioned. And yet the great Farkas has written a whole book about it. And yet it's one of the very first things mentioned in my first clarinet lesson.
I asked to look at their used, consignment trumpets and what a bunch of wrecks. The intermediate Yamahas were all made in China, and silver plated. Being made in China is probably a non-issue as far as quality goes but I have an irrational preference for the ones made in Japan. And silver plated, that's what the kids all want now but I really don't want that.
They wanted "full boat" price for everything, of course. And no doubt they were all priced before the tariff madness. So I wasn't sure what I wanted to do. Down at the bottom level of the display case, at the back corner, was something labeled as a Getzen for $1500. It was a cornet, shepherd's crook type, and looked pretty good but with that light in that little corner I could not tell if it was silver plated or not so the gal dug it out and of course it wasn't a Getzen it was a Yamaha but a pro level cornet, a "Neo", and not silver plated.
So it was not cheap, but a few hundred less than the Miyashiro trumpet which is not a model I'm impressed with at all so the long and short of things is, I bought it. To me, shepherd's crook cornets have a huge cool factor, and I read somewhere that cornets like this are aimed at the British brass band market, and tend to have big bores and are not the stuffy things American cornets can be, like the old King Master.
I then walked out of the music store, not back to the bus stop but the other way, to Castro Street. I used to spend quite a lot of time there, and figured I'd walk along, feeling nostalgic, and get on the train at the other end of it.
A lot of stores and things have changed, and some old standbys were still there. I want to go back there during the day because there are a couple of store fronts with robot that do robot stuff I guess. On the walk I also saw a Waymo car with no human in the driver's seat, also no passenger so it was all on its own. Doing robot stuff.
Castro Street's been blocked off to cars except for intersections where cars can cross it, and the result is a lot of people out walking around. I didn't see *any* buskers though, no questionable types hanging out at the Starbucks, and there was just one guy hanging out with a sign. It was pretty neat seeing all those people walking around and it strikes me as something approaching the people-walking-around situation Marvin Naylor has, for busking, in Winchester, UK.
I got to the train station about 1 minute before the train came, and it was a nice pleasant ride as always. I got back to Whole Foods and had two slices of pizza and a near-beer, discovered that however big it seems the cornet case fits in a Whole Foods cloth bag just fine, hung it off one handlebar, and rode home. It started raining as I got onto Old Bayshore, and I got in here. What a day.
I said the clarinet's a beautiful instrument and nothing bad to say about it, but that if my new discovery works, I might have a clarinet for sale, and she said her music-teacher relative might be interested.